This is Letty Lind,
Do not take these pictures and do not mention my name without permission.
I'm much older in my picture then Letty was in her picture. People tell me they feel that it's the same soul from the eyes even if the faces aren't an exact match. You have to admit both pictures are pretty similar in structure and look.
I did a past life regression 12 years ago and saw Letty's life. I couldn't get Letty Lind's real name which was Letitia. It's hard to get names from the past. ....come on, I never heard of her? I just knew I was a singer and dancer on stage in the 1800's and my name was Letty Lind. Letty wasn't even listed anywhere on the internet when I knew my name. Because I typed the name in search engines when I had my first computer. Not one site came up.
I believe we uncover past lives as we are old souls and able to deal with the information they have to offer.
Past lives can be a real distraction especially when they are energetically so close together. Close together as in time periods. I visited London six years ago and spent the afternoon, looking up birth registrations. Those books were hand written in the 1800's. Each book on a shelf, the information in a thickly bounded leather book. The cab fare was expensive and the afternoon was boring. I came back to the hotel disappointed in my own psychic ability's to get the real name and not the stage name.
When you do a past life regression, Spirit gives you the lessons of that life and how they affect you now.
Letty Lind
Letitia Elizabeth RUDGE
1861-1923
Christening: 28 Jun 1863
Saint Thomas, Birmingham, Warwick, England
Parents:
Father: Henry RUDGE
Mother: Elizabeth
Letty was a ballet dancer:
I'll do my best to tell you what I read about Letty, without, stepping
on toes.
I read that the ballet in England had been purely exotic and had followed on
the lines of French developments. The palmy (?) days of the ballet in England
were in the first half of the 19th century, when a royal revenue was spent on
the maintenance of this fashionable attraction. The teacher Miss V. was the
first to make skirt-dancing popular, although that achievement will not be regarded
as an unmixed benefit by every student of the art. Skirt-dancing, in itself
a beautiful exhibition, is a departure from true dancing in the sense that the
steps are of little importance in it; and we have seen its development extend
to a mere exhibition of whirling draperies under many-coloured lime-lights.
The best known of Miss V's disciples and imitators (each of whom has contributed
something to the art on her own account) were Miss S G and Miss Letty Lind.
One of my proof's that I was Letty was I took sheets and wrapped them around me and twirled around till I disappeared on the floor. I would make my brother watch and he thought I was too much a girl, that I would keep doing that and tell him to keep watching.
Letty was an actress:
The Bride of Love was a new poetic drama based on the myth
of Eros and Psyche, written by Robert B with music by A. C. M and W. S. The
Bride of Love was enthusiastically received by the audience,
Letty Lind who danced the cymbal dance of Euphrosynea--obviously a highlight
of the production.
Letty was in a Gilbert and Sullivan Show.
The Geisha belongs to that category of pieces which emerged during the 1890s
as a bright and breezy alternative to the comic operas of G & S.
The articles and there are many, said the Geisha ran at Daly's Theater, London,
for an unprecedented 760 performances. One article referred to me as a dancing
soubrette; Letty Lind was Molly Seamore. Letty Lind was the hero of the play's
love interest. I remember seeing this movie were the British soldier goes off
to Japan and his girlfriend follows him and wants to know if he is in love with
her or the Geisha he is seeing. She puts the white makeup on just like a geisha
girl and then finds out he does love her.
After its two-year run, The Geisha was succeeded at Daly's in 1898 by Jones's
A Greek Slave, a work with a slightly more ambitious score and Letty Lind was
in that play also.
Letty also had a run at comedy burlesque in America. Let's trace her childhood back. Letty was one of five sisters, all of whom became well known performers. She first appeared on stage when she was about five, then appeared as a dancer in pantomime, and toured from the age of twelve. She became famous as a skirt dancer of great charm and grace. Though technically her singing voice was limited, she used it with great skill and she later became a popular musical comedy performer. Skirt dancing, Lind explained, was an alternative school of dance to ballet, with its own distinctive steps and styles. Most important were the control and movement of the full silk skirts with their lace frills. Skirt dancing's advantage over ballet was that people could do it at home, and it became popular among all social classes.
From my first regression, because honestly, I'm still filling in the details. Letty was illegitimate. I know it says she had a birth father. I believe she was actually born to a father who was close to Queen Victoria? She receive compensation from this royal birth; money and schooling. She spent her life spying and trading secrets among the rich and famous. She traveled through Europe and met the Impressionists painters. Especially, Renoir. Letty was in a play called the artist's model but I can't find any more about the play. Renoir and I had a special friendship that life. I have had one trans channel and two psychics tell me Renoir is painting through me this life as a guide. I never asked for this information, it was freely given without the others knowing that they had each channel the same information to me. That was enough proof for me. Renoir's brush strokes can be seen in my artwork. I'm (not) the only one he is channeling through as a guide.
If your reading this, there is some part of you that believes our energy lives on and on and on. Even helping others from the unseen into the seen. Sending energy of help. Overshawdowing or merging with the other. In between lives I would have asked one of the greatest painters who ever lived to help me. And the answer came back yes, but remember, on the first page, I stated I was Cellini. I believe the artist's travel through time helping and working with each other.
Tamar does past life regressions and phone consultations on past lives. That means I can 'see' your past life. The gifts, the lessons, the overview. I can do this on email.
Go to the "about Tamar"...page. About Tamar George
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